Om patches

This is a wrapper for the Om note module which is meant to be used as a subpatch. It has three audio rate output ports, Frequency, Velocity, and Gate. The values from the Frequency and Velocity ports are the Frequency and Velocity signals from the note module, passed through Slide modules so overlapping notes will tie into each other, while the Gate value is taken directly from the Gate port on the note module. There are also some arithmetic modules that make sure that notes that don't overlap will start at the desired frequency, and not slide from the previous note. The frequency and velocity slide times can be controlled separately using two control rate input ports.

A noisy drone sound with lots of reverb and delay. The brightness can be controlled using MIDI CC 1 (modulation wheel).

Distorted, resonant bass with controllable brightness. The volume and filter envelopes are velocity sensitive.

Four bandlimited sawtooth oscillators passed through three paralell resonant lowpass filters with varying cutoff frequencies. Expensive but a lot of fun. The demo has three instances of this patch playing, with some panning and echo added.

A slightly organ-like bright pad. The demo is recorded with a TAP Reverb between the instrument and the audio outputs. This instrument can be rather CPU heavy if you run it in polyphonic mode.

A cute subtractive synth with a square wave oscillator and a highly resonant lowpass filter. The synth is meant to be played in monophonic mode, and if you press a key before you release the previous key the synth will tie the notes together. The volume and the cutoff frequency are velocity sensitive, and the cutoff frequency can be modulated using a control input.